You really, really, really think that XXX and XXX are better? Really? Not to mention XXX (Yes, I'm a chickenshit. Too scared of reprisals to name and shame) But, no, really, I'm interested. What was your thinking?
And sorry for shouting just then, but you'll have to help me out because I don't get it.
The Uninvited begins with a series of apparently random - and inventively brutal - killings of parents by their children. These are happening all over the world and begin to unleash panic and violence and state-sanctioned vengeance. So it's a horror story, but it's not just that. THE UNINVITED is compulsive reading. Shocking even. Nightmarish in all the best ways. Gripping doesn't even begin to cover it. It'll keep you awake with all sorts of thoughts you really don't want to be having.
THE UNINVITED also has one of the most carefully drawn damaged narrators I've read in years. And for a terrifying white-knuckle ride it's got some funny set-pieces, some forensic observations of the way we live now, and - more importantly works as a shrewd prediction of where might be headed.
It's science fiction horror - John Wyndham by way of Atwood, Lessing and Angela Carter. As well written and as seductive as that. I love it. Have I made that clear enough? I fucking love it. And I love her answers to the questions too... 50 shades of terracotta indeed.
Can I have you autobiography in exactly 50 words.
Grew up in a creative but dysfunctional family, went to uni, regretted studying English, escaped abroad as far and as often as I could, became a journalist as a stepping-stone to writing, forgot about writing but never stopped reading, started experimenting with fiction on first son's birth: never looked back.
Why should we read The Uninvited?
You should read The Uninvited because sometimes you need to be scared, and if children randomly killing their parents doesn't give you the creeps, what will?
What, right now, is your most pressing concern?
In general, it's the future. Everyone's. But on a more prosaic and specific note, my immediate issue is what shade of terracotta to paint my kitchen wall. The work-tops and cupbaords are quite pale. But just how dark can I go without invoking gloom? So many choices!
How does being a female writer differ from being a male writer?
Writers are writers first and foremost: imaginatively, we share a constantly expanding landscape in which there's room for everything and everyone, and sex doesn't matter. That said, there are important differences when it comes to our attitude to what we do. I live with a male writer, and I've noticed that he and other male colleagues have more confidence in their work than us. I envy them this. I also note that male readers trust them more, and read them more than they read women. That's really a crying shame. Cynically, if I could start out again, I'd choose a unisex nom de plume, or use initials. My male readers love my work. But I know I'd have more if I had a different name. I don't feel bitter about it, because bitterness is a waste of time. But I regard it as unfair.
Who - in life or writing - do you most admire?
In life: Carsten Jensen, my namesake and husband. (We share a surname by coincidence rather than marriage: freaky or what?) Get hold of a copy of his brilliant seafaring epic, We, The Drowned, and discover a world-class novelist. I'm also a huge admirer of the climate scientist James Hansen, and campaigners like George Monbiot who continue to inform the world about climate change in the face of depressing resistance from those who should - and secretly do - know better.
Why do we need a Women's Prize for Literature?
We need a Women's Prize for Literature because despite all the progress we've made, we're still under-recognised in the literary world. By male readers and, crucially, by ourselves too. I'd like to see the day when such a prize is no longer neccessary but I don't think it will happen in my lifetime.
What you eat a mucky fat sandwich?
Only if it was microscopically small, and you paid me to.
What is your next book about? And does it have a title?
It doesn't have a title yet, but if it did I might not tell you because I'm coy that way. It's the third in the trilogy that began with The Rapture and continued with The Uninvited. It's set in the close-to-now future, and it spans several continents and lives. I loved David Mitchell's Cloud Atlas and Jennifer Egan's A Visit from the Goon Squad, so this time I'm experimenting with the linked-short-story format. When it's not slow-cooking my brain, and making me want to give it all up and become a fruit-picker, I'm having a certain amount of fun with my multi-narrative.
If you could be anywhere, where would you be at this moment?
In the Blue Lagoon in Iceland, reading the new Kate Atkinson with a massive gin and tonic.
Tell me something I don't know
There are fifty shades of terracotta.
Liz Jensen has published loads of novels as well as the brilliant The Uninvited (Bloomsbury). Another great one is War Crimes For The Home - You know what to do.
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